Musée No:325.189

Musée No:325.189

Regular price £25.00
/
UK VAT included on all prices shown.

Nude Study

Artist: Solon H. Borglum
Date:1919

Solon Hannibal de la Mothe Borglum (1868 –1922) (fabulous name!) was an American sculptor. Born in Utah he spent most of his childhood on the Nebraska prairie, where his father practised medicine. His father was a Mormon polygamist with two wives, sisters Ida & Christina. When the family moved to the non-Mormon Nebraska Solon’s mother, Christina, was listed as a family servant to hide the situation.  When they moved again to St Louis she was left behind completely and the boys were told never to speak of her again, Solon would have been about 3 and his brother 4. Solon was originally a cowboy-rancher, but his older brother Gutzon, responsible for the carvings of the US Presidents on Mount Rushmore, persuaded him to pursue art. In 1898 the Art Academy awarded him a scholarship to study in Paris at the Académie Julian. The French students gave him the title “sculptor of the prairie.”. In 1898, he married Emma and spent the summer of 1899 at the Crow Creek Reservation in South Dakota. Although he later lived in Paris and New York City and achieved a reputation as one of America's notable sculptors, he is most well known for his depictions of frontier life, especially his experience with cowboys and native Americans. In 1911, Borglum was elected into the National Academy of Design as an Associate member. During World War I he served at the front in a non-combatant role and was gassed several times. Whilst there he taught art to recovering American soldiers and discovered that he liked teaching. When he returned to the United States he established the School of American Sculpture in New York. He taught there until his death in 1922.

Borders & Mounts

None of our prints come with separate mounts. Some have a printed border which replaces the need for a mount, and some are borderless pieces. In either case the edge to edge size of the prints is 'A' sized as stated. If you should want a mount around your print, then you just need to buy a mount for the 'A' size you choose and then a frame to go with that.

What size frame do I need ?

Each piece of artwork in the Musée gallery has been resized to work perfectly with International 'A' paper sizes. All you need to think about when framing your Musée artwork is that it needs to be in the appropriate A sized frame. This means that no part of your artwork will be lost to cropping when choosing frame sizes. It also means that everything will work proportionately in gallery walls, and print sets. There are many budget, off the shelf A sized frames on sites like Etsy and Ebay which we very happily recommend for our prints.

We also now produce our own collection of high quality, professionally framed artwork, ready to hang.

To see our collection of quality frames - CLICK HERE

Print Quality

Our approach to printing is built on the ability to faithfully reproduce artworks using the finest inks and papers available today. A world away from mass produced posters we take pride in producing beautiful, affordable, fine art prints in-house, for discerning interior lovers everywhere.

Giclée Printing - In order to achieve this consistent, outstanding quality we produce every archival pigment print (alternatively know as giclée) to order using the same ink, paper and printing techniques used by museums all over the world. (Giclée is pronounced gee-clay with a soft G) Our archival giclée prints are loved for their vibrant tonal range and the handmade feel of their beautiful textured papers. The quality of a giclée print is far superior to all other forms of printing and when done authentically it is the closest reproduction printing method possible for matching to an original artwork.

Acid Free Paper - Each piece of Musée Art is printed to order on 312 GSM Paper. GSM is a measurement of the thickness of the paper. It is based on calculating the amount a sheet of paper would weigh, in grams, if it was exactly one square metre in size. Paper with a higher GSM will generally be thicker and therefore more difficult to crease or tear. Museum grade acid free papers are made from 100% cotton pulp rather than wood-based products. High quality cotton fibre paper is known to last hundreds of years without appreciable fading, discolouration, or deterioration due to the fact no chemicals are used in its production. Unlike wood based, mass produced alternatives,which will deteriorate, fade and change colour over time.

Inks - Archival pigment printing (giclée) uses inks which have longevity rates calculated at over 100 years. This printing technique must utilise eight or more different ink colours which are colour profiled to match the archival paper to achieve a perfectly colour accurate reproduction of the original piece of art. 

Mount Board - All Musée museum quality prints are professionally mounted on 2.4mm acid free art board ready to free stand or frame. Mounted prints also help to preserve the qualty of the edges and keep the prints perfectly flat with no risk of cockling. Cockling is the process by which a print starts to ripple due to changing levels of ambient moisture which are naturally present in the air in all our homes. Also, when you decide to either change your Musée artwork in your frames or swap them out for a new find, a Musée mounted print will stay flat and safe whilst in storage.

Stacked image of fanned white 312 gms paper showing the high quality and softly woven texture of the surface of the paper.

312 gsm Paper

All muséee prints are reproduced on the finest quality 312 gsm museum archival acid free paper.

Mount Board

All Musée prints are mounted on acid free 2.4 mm mount board ready for
framing or free standing display.

Image of a single sheet of cotton rag paper showing the soft woven texture of the surface.

Cotton Rag

100% natural cotton based paper has a beautiful fine textured finish.