Musée No:318.001

Musée No:318.001

Regular price £25.00
Tax included.

Zinnias in a Green Jar

Artist: Floris Verster


Floris Hendrik Verster (1861 – 1927) was a Dutch painter. His father was a renowned scholar and painter of birds. Hendrik took drawing lessons from Gerardus Johannes Bos. Between 1880 and 1884 he continued his training at the Royal Academy of Art in The Hague. For two years from 1882 he shared a studio in Leiden with his future brother-in-law, the still-life painter Menso Kamerlingh Onnes (he married Jenny in 1892). From 1885 onwards he experimented in still life painting influenced by Kamerlingh Onnes and French painters. He was a superb colourist, his style and choice of colours very different from Hague School style. In Brussels he met members of the avant-garde artists' group Les Vingt. Under their influence he began working with a rough brush strokes and intense colours. He gained success with his large and exuberant works of floral still lifes and landscapes. In 1891 he took part in the salon of Les XX in Brussels. By 1892 his work had changed again and he focused on drawings in crayons with serene subjects. From 1900 onwards he began to paint and established himself as a celebrated artist in the Netherlands.

The Flowers : Zinnias : you can grow these beautiful pink, yellow, red, orange bursts of summer daisy like joy from seed – easily. They are annuals and are one of the easiest flowers to grow. They grow quickly and have abundant flowers throughout the summer and early autumn.

Ready To Go...

Each piece of Musée Art is printed to order on fine art heavyweight 312 GSM acid free paper and mounted onto art board ready for framing or freestanding display.

Free Standing Display

Display your print right out of the box, each one is ready to stand on your shelf or mantle.

Don’t forget to tag us! #mymuseeshelfie


Frame Ready

All you need to do is buy exactly the same ‘A’ size frame as the print you buy.

Try our recommened suppliers.

Frame Suppliers

What size frame do I need ?

Each piece of artwork in the Musée gallery has been resized to work perfectly with International 'A' paper sizes.

All you need to think about when framing your Musée artwork is that it needs tobe in the appropriate A sized frame.

This means that no part of your artworkwill be lost to cropping when choosing frame sizes. It also means thateverything will work proportionately in gallery walls, and print sets.


Our papers are loved for their vibrant tonal range and the handmade feel of their beautiful texture. They are 100% cotton based which gives an aesthetic expected with traditional fine art techniques.

Each piece is printed to order in house in our own print studio and delivered in sustainable packaging.

All Musée museum quality prints are professionally mounted on 2.4mm acid free art board ready to free stand or frame. Mounted prints also help to preserve the qualty of the edges and keep the prints perfectly flat with no risk of cockling. Cockling is the process by which a print starts to ripple due to changing levels of ambient moisture which are naturally present in the air in all our homes. Also, when you decide to either change your Musée artwork in your frames or swap them out for a new find, a Musée mounted print will stay flat and safe whilst in storage.

Mount Board

All Musée prints are mounted on acid free 2.4 mm mount board ready for framing or free standing display.

312 gsm Paper

All muséee prints are reproduced on the finest quality 312 gsm museum archival acid free paper.

Cotton Rag

100% natural cotton based paper has a beautiful fine textured finish.