Musée No:325.185

Musée No:325.185

Regular price $32.33
/
UK VAT included on all prices shown.

Nude Against Screen

Artist: Alice Pike Barney
Date:1911

Alice Pike Barney (1857-1931) is an absolutely fascinating American artist and her life far too interesting to be squeezed into a couple of paragraphs, so unusually I have split it up between several paintings (379.005, 379.018, 379.019, 379.020, 379.021 & 325.185). If you would like to find out more pop the number or her name in the search box at the top of the page, I hope you enjoy discovering more about her fascinating life.

PART 5/6

She and her husband, Albert Clifford Barney, led mainly separate lives, leaving her to look after their two daughters Natalie & Laura and set up her salons in Europe and the US. She began painting seriously whilst on her trip to Paris in 1883.  In 1887 she returned and studied under the master portrait painter Charles Emile Auguste Carolus-Duran (what a name for a business card !). In 1896, she was back in Paris and learned from Claudio Castelucho and James McNeill Whistler, her mentor.  She started her Paris salon on Avenue Victor Hugo in 1899.
When her 24-year-old daughter Nathalie wrote a book of French poetry in 1900 Alice happily provided illustrations for it – however she was apparently unaware that the love poems were addressed to women and that 3 of the 4 women that modelled for the illustrations were in fact her daughter’s lovers. Her husband was alerted and rushed to Paris to buy and destroy all of the publisher’s stock and printing plates, he then made them go back to the States with him. Although the ‘scandal’ had no lasting effect on their social standing he considered it a disaster and started to drink heavily. He died in 1902.

Borders & Mounts

None of our prints come with separate mounts. Some have a printed border which replaces the need for a mount, and some are borderless pieces. In either case the edge to edge size of the prints is 'A' sized as stated. If you should want a mount around your print, then you just need to buy a mount for the 'A' size you choose and then a frame to go with that.

What size frame do I need ?

Each piece of artwork in the Musée gallery has been resized to work perfectly with International 'A' paper sizes. All you need to think about when framing your Musée artwork is that it needs to be in the appropriate A sized frame. This means that no part of your artwork will be lost to cropping when choosing frame sizes. It also means that everything will work proportionately in gallery walls, and print sets. There are many budget, off the shelf A sized frames on sites like Etsy and Ebay which we very happily recommend for our prints.

We also now produce our own collection of high quality, professionally framed artwork, ready to hang.

To see our collection of quality frames - CLICK HERE

Print Quality

Our approach to printing is built on the ability to faithfully reproduce artworks using the finest inks and papers available today. A world away from mass produced posters we take pride in producing beautiful, affordable, fine art prints in-house, for discerning interior lovers everywhere.

Giclée Printing - In order to achieve this consistent, outstanding quality we produce every archival pigment print (alternatively know as giclée) to order using the same ink, paper and printing techniques used by museums all over the world. (Giclée is pronounced gee-clay with a soft G) Our archival giclée prints are loved for their vibrant tonal range and the handmade feel of their beautiful textured papers. The quality of a giclée print is far superior to all other forms of printing and when done authentically it is the closest reproduction printing method possible for matching to an original artwork.

Acid Free Paper - Each piece of Musée Art is printed to order on 312 GSM Paper. GSM is a measurement of the thickness of the paper. It is based on calculating the amount a sheet of paper would weigh, in grams, if it was exactly one square metre in size. Paper with a higher GSM will generally be thicker and therefore more difficult to crease or tear. Museum grade acid free papers are made from 100% cotton pulp rather than wood-based products. High quality cotton fibre paper is known to last hundreds of years without appreciable fading, discolouration, or deterioration due to the fact no chemicals are used in its production. Unlike wood based, mass produced alternatives,which will deteriorate, fade and change colour over time.

Inks - Archival pigment printing (giclée) uses inks which have longevity rates calculated at over 100 years. This printing technique must utilise eight or more different ink colours which are colour profiled to match the archival paper to achieve a perfectly colour accurate reproduction of the original piece of art. 

Mount Board - All Musée museum quality prints are professionally mounted on 2.4mm acid free art board ready to free stand or frame. Mounted prints also help to preserve the qualty of the edges and keep the prints perfectly flat with no risk of cockling. Cockling is the process by which a print starts to ripple due to changing levels of ambient moisture which are naturally present in the air in all our homes. Also, when you decide to either change your Musée artwork in your frames or swap them out for a new find, a Musée mounted print will stay flat and safe whilst in storage.

Stacked image of fanned white 312 gms paper showing the high quality and softly woven texture of the surface of the paper.

312 gsm Paper

All muséee prints are reproduced on the finest quality 312 gsm museum archival acid free paper.

Mount Board

All Musée prints are mounted on acid free 2.4 mm mount board ready for
framing or free standing display.

Image of a single sheet of cotton rag paper showing the soft woven texture of the surface.

Cotton Rag

100% natural cotton based paper has a beautiful fine textured finish.