Musée No:379.046

Musée No:379.046

Regular price £25.00
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Azores

Artist: Abbott Henderson Thayer

Date: Unknown

Abbott Handerson Thayer (1849 – 1921) was an American artist, naturalist and teacher. Born in Boston he was bird-crazy and grew up to paint stunning pictures of angels, some of which use his children as models — and also to promote the military use of camouflage. He dedicated his career to painting pictures of ‘the highest human soul beauty.’ He belonged to a small group of American painters who returned from Paris art schools in the late 19th century. They were painters of atmosphere and depicted beautiful young women as ‘timeless beauty.’  Abbott Handerson Thayer’s reputation grew during the 1880s and he was considered one of the finest painters of the human figure. He had more commissions than he could handle — including portraits of Mark Twain and Henry James. He had strong opinions and odd habits. With his family he slept outdoors year round to take advantage of fresh air. He wore long underwear in winter and gradually cut off the legs until summertime, when he wore them as shorts. He was also known as the Father of Camouflage. He developed his interest in camouflage as a boy observing animals ‘protective’ colouring. He is credited with being the first to write about disruptive patterning (he called it ‘razzle-dazzle’), which breaks up an animal’s outlines. He identified countershading as well. Thayer first became involved in military camouflage in 1898 and made several proposals to the military for camouflaging warships. President Roosevelt was not a fan but eventually in World War I the military accepted.

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Each piece of Musée Art is printed to order on fine art heavyweight 312 GSM acid free paper and mounted onto art board ready for framing or freestanding display.

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Each piece of artwork in the Musée gallery has been resized to work perfectly with International 'A' paper sizes.

All you need to think about when framing your Musée artwork is that it needs tobe in the appropriate A sized frame.

This means that no part of your artworkwill be lost to cropping when choosing frame sizes. It also means thateverything will work proportionately in gallery walls, and print sets.

Quality

Our papers are loved for their vibrant tonal range and the handmade feel of their beautiful texture. They are 100% cotton based which gives an aesthetic expected with traditional fine art techniques.

Each piece is printed to order in house in our own print studio and delivered in sustainable packaging.

All Musée museum quality prints are professionally mounted on 2.4mm acid free art board ready to free stand or frame. Mounted prints also help to preserve the qualty of the edges and keep the prints perfectly flat with no risk of cockling. Cockling is the process by which a print starts to ripple due to changing levels of ambient moisture which are naturally present in the air in all our homes. Also, when you decide to either change your Musée artwork in your frames or swap them out for a new find, a Musée mounted print will stay flat and safe whilst in storage.

Mount Board

All Musée prints are mounted on acid free 2.4 mm mount board ready for framing or free standing display.

312 gsm Paper

All muséee prints are reproduced on the finest quality 312 gsm museum archival acid free paper.

Cotton Rag

100% natural cotton based paper has a beautiful fine textured finish.