Musée No:397.091

Musée No:397.091

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School Time

Artist: Winslow Homer

Date: 1874

Winslow Homer (1836–1910) is regarded by many as the greatest American painter of the nineteenth century. Many of his dazzling watercolours concentrate on the beauty, force, and drama of the sea. In the early 1880s, Homer increasingly desired solitude, and his art took on a new intensity. In 1881, he travelled to England and after passing briefly through London, he settled in Cullercoats, a village near Tynemouth on the North Sea, remaining there from the spring of 1881 to November 1882. He was struck by the strenuous and courageous lives of its inhabitants, mainly women, sometimes depicted poignantly, standing at the water’s edge, awaiting the return of their men. When Winslow returned to New York, both he and his art were greatly changed.


Ready To Go...

Each piece of Musée Art is printed to order on fine art heavyweight 312 GSM acid free paper and mounted onto art board ready for framing or freestanding display.

Free Standing Display

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Frame Ready

All you need to do is buy exactly the same ‘A’ size frame as the print you buy.

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What size frame do I need ?

Each piece of artwork in the Musée gallery has been resized to work perfectly with International 'A' paper sizes.

All you need to think about when framing your Musée artwork is that it needs tobe in the appropriate A sized frame.

This means that no part of your artworkwill be lost to cropping when choosing frame sizes. It also means thateverything will work proportionately in gallery walls, and print sets.

Quality

Our papers are loved for their vibrant tonal range and the handmade feel of their beautiful texture. They are 100% cotton based which gives an aesthetic expected with traditional fine art techniques.

Each piece is printed to order in house in our own print studio and delivered in sustainable packaging.

All Musée museum quality prints are professionally mounted on 2.4mm acid free art board ready to free stand or frame. Mounted prints also help to preserve the qualty of the edges and keep the prints perfectly flat with no risk of cockling. Cockling is the process by which a print starts to ripple due to changing levels of ambient moisture which are naturally present in the air in all our homes. Also, when you decide to either change your Musée artwork in your frames or swap them out for a new find, a Musée mounted print will stay flat and safe whilst in storage.

Mount Board

All Musée prints are mounted on acid free 2.4 mm mount board ready for framing or free standing display.

312 gsm Paper

All muséee prints are reproduced on the finest quality 312 gsm museum archival acid free paper.

Cotton Rag

100% natural cotton based paper has a beautiful fine textured finish.